I can
- point to the positive and negative space on each side of my notan.
- name the kind of balance in a notan, a crest or Hokusai’s wave, and show why.
- plan three thumbnails and choose one with a reason.
- build and export two balanced versions in the studio.
- cut, test and glue my expanded square in paper.
- give feedback with sentence stems and explain my work in an artist statement.
Words to know
- positive space
- The shapes you see as the subject.
- negative space
- The space around and between the subjects.
- symmetrical
- Both halves match, like mirror images.
- asymmetrical
- Different on each side, but still even.
- radial
- Repeating around a center, like petals on a flower.
- thumbnail
- A small, quick sketch for planning.
- motif
- A shape that stands for an idea in a design.
- artist statement
- A few sentences about what you made and why.
What to do
- Choose a motif from your life, such as a leaf, a paw or a star. Draw it as a simple outline.
- Draw three thumbnails: one symmetrical, one asymmetrical and one radial. Shade each piece outside its side.
- Circle your best plan and write why you chose it.
- In the studio, set the width and height to 5 inches so the sheet is square. Build your plan and export it from the File button.
- Change the same design into a second kind of balance. Resize, refold or copy pieces, then export again.
- Trade seats with a partner. Squint at their design and give feedback with the sentence stems.
- Cut your plan from the black square. Lay it on your painted paper, flip each piece out, and squint before you glue.
- Write or record your artist statement. Name your motif, your balance, a feeling and one change you made.
Challenge
Make a radial design with your motif on all four sides, each one a quarter turn from the last, and ask a classmate to squint and check that it holds still.
Check your work
- Every piece sits beside its own hole, as its mirror.
- No corner is cut off, and no piece is missing.
- My design matches the kind of balance I planned.
- My motif appears in at least one cut.
- My statement names my motif, my balance, a feeling and a change.
Think about it
- Which do you see first on each side, the hole or the piece? Why?
- What moved the balance most: size, number or distance from the center?
- How is your notan like Hokusai’s wave or a Japanese crest? How is it different?
- Which feedback helped you most, and what did you change?